Nathan Nhan's work draws on the material history of ceramics, where vessel forms are imbued with stories as powerful narrative devices.

Elliat Rich at Canberra Glassworks. Curated by Aimee Frodsham. Discover the rich material culture of this earth-orientated and relational society. A curated selection of everyday, iconographic and curious objects that provide insights into the other-ways of life on planet Earth. Mythica Ignota is on loan through the generous support of the The Rupertsberg Institute of Social Science.

Exhibition of work by Jeffrey Sarmiento at Canberra Glassworks exploring the potential of 3D printing and other glass making technologies.

Propositions: 2023 Tapestry Design Prize for Architects exhibition presents the regenerative possibilities of tapestry to enhance architectural spaces, showcasing tapestries designed by architects for Kerstin Thompson Architect’s Bundanon Art Museum and woven by weavers at the Australian Tapestry Workshop (ATW.) 

Urban Biome is a site-specific modular art installation which demonstrates ways in which regenerative design, reuse of materials and endemic plants can be incorporated into public space.

This exhibition celebrates two of Canberra's most influential ceramic and textiles artists, Hiroe Swen and the late Cornell Swen who, together, led a uniquely creative life in this region.

The Robert Foster Metal Prize exhibition showcases outstanding contemporary metal work highlighting how imagination, high-quality making skills, good design and innovation can regenerate how we see and interact with the world around us. Supported by the Tall Foundation, F!nk + Co Director Gretel Harrison.

In the installation, So-sei, artists Akie Haga and Justine McLaren present flameworked glass habitats for native Australian plants as if in the aftermath of bushfire.

In Continuum, acclaimed Arrernte glass artist Jennifer Kemarre Martiniello presents a stunning collection of glassworks inspired by the enduring beauty and sophistication of Aboriginal weaving and environmental design.

Speculative Materialism: Making for the Future engages with the complexities of being a material maker in a world where mass consumption and contemporary materiality plagues the health of the planet.

How Soon is Now? showcases contemporary artist and ANU alumnus, Bruce Reynolds and the evolution of his practice from collage to relief and sculpture over a number of decades, as well as his ongoing interest in the relationship between pattern, history and the built environment. Presented by Museums & Galleries Queensland.

Designcraft’s cabinet makers have regenerated factory offcuts into new and unique designs.

An exhibition of a unique collection of jewellery from Uruguayan design house Ipora Artesanos that is committed to promoting sustainable consumption and production.

Pattern Recognition celebrates female and non-binary artists from the ACT region who use abstraction and design principles to explore colour perception and spatial relationships. The exhibition investigates regeneration, exploring the influence of traditional craft disciplines on contemporary art practice.

Brutal Transformations: Regenerating Canberra’s Concrete Legacy by Lymesmith champions adaptive re-use of brutalist architecture, flipping the typically grey raw concrete into colour-saturated vibrant art works.

Above/Below is a group exhibition by artists who are inspired by their love of ferns, fungi, lichens, liverworts, moss, hornworts and algae. The 30 works are a diverse range of media from textile art, botanical illustration, jewellery, photography, ceramics and mixed media. Each artist has studied and then interpreted a cryptogam for this exhibition.